Like a tribute to Rabelais, our film deconstructs the myth of Dracula, combining it with the local myth of Vlad the Impaler, through dozens of cinematic stories: absurd (in homage to the historical avantgardes), pulp (in homage to JLG's Alphaville), trash (Ed Wood), literary (Alain Resnais), playful (Buñuel), political (Romero), theatrical (Brecht), excessive (Lucian Pintilie), naughty (John Waters), fantastic (Méliès) or realistic (Lumière Brothers). A film about cinema itself, with its limits, its history and its myths.

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